His other works at the Gallery include a suite of etchings, a print portfolio, a neon sculpture, and two paintings that were recently conveyed from the Corcoran Collection. Untitled (I Am a Man) was the first painting by Ligon to join the collection. It's about we." The deliberately rough surface of the painting, which Ligon later documented by having a condition report made as an ancillary work of art, seems to index the scars and struggles of the work's great subject. As Ligon has said (paraphrasing Muhammed Ali), "It's not about me. Throughout his career, Ligon has used "blackness" as a trope for both personal and collective experience. And while he preserved the original black-on-white of the sign, his choice to paint the black letters in eye-catching enamel calls attention to a black figure ("Man") as a text that replaces the human form in figurative painting. He took pains to differentiate the painting from the original signs, avoiding a one-to-one relationship by reorganizing the line breaks. These include English, French, Spanish, and. After creating an account, you can select a language you want to learn from a list of common spoken options. Learning a language begins the second you open Duolingo. As the first object in which he used a selected text, Untitled (I Am a Man) is his breakthrough. Duolingos basic, step-by-step approach to language learning makes it one of the best tools to quickly pick up a new language for free. This painting is Ligon's most important and iconic work. traveled to Memphis to address the striking workers the next day, he was assassinated. They took up the slogan "I Am a Man" as a variant on the first line of Ralph Ellison's prologue to Invisible Man, "I am an invisible man." By deleting the word "invisible," the Memphis strikers asserted their presence, making themselves visible in standing up for their rights. Prompted by the wrongful deaths of two coworkers from faulty equipment, the strikers marched to protest low wages and unsafe working conditions. Untitled (I Am a Man) is just such a representation-a signifier-of the actual signs carried by 1,300 striking African American sanitation workers in Memphis, made famous in Ernest Withers' 1968 photographs. His work engages a powerful mix of racial and gender-oriented struggles for the self, leading viewers to reconsider problems inherent in representation. Ligon is best known for intertextual works that re-present American history and literature, in particular narratives of slavery and civil rights, for contemporary audiences. He participated in the Whitney Museum's Independent Study Program in 1985, known at that time for its language-based approach. See CORPORATE GOVERNANCE.Glenn Ligon was born in the Bronx in 1960, attended the Walden School in New York on a scholarship, and graduated from Wesleyan University in 1982. Some directors will be executive directors and will hold senior salaried management posts in the company others may be non-executive directors who are not primarily employed by the company but may be bankers or executives employed by other companies, contributing their expertise at board meetings in return for directors' fees. The board generally elects one of their number to act as chairman of the BOARD OF DIRECTORS and may also elect one of their number to serve as managing director with responsibility for the day to day management of the company. Each company will have a number of directors who constitute the BOARD OF DIRECTORS and the directors will meet regularly to determine company policy. director an official of A JOINT-STOCK COMPANY elected by the SHAREHOLDERS at the company's ANNUAL GENERAL MEETING and charged with certain powers and responsibilities to run the company on behalf of the shareholders. Copyright © 2003 by Houghton Mifflin Company. Wall Street Words: An A to Z Guide to Investment Terms for Today's Investor by David L.
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